This post is cross-posted with www.MissRepresentation.org, in advance of the film’s debut tonight on OWN, 9pm (8c).

In Miss Representation, actress-activist Rosario Dawson talks about how important it is for women to write their own stories. This is equally important in entertainment and in journalism alike.Yet as I discuss in the film, today’s media climate is extremely toxic for women and girls, and for people of color. That’s because the main purpose of TV programming today is not to entertain, engage or inform us. Sad but true: the purpose is generate sky-high profits for the six major conglomerates (Disney, Time Warner, NewsCorp, Viacom, CBS and General Electric) that own and control the vast majority of what we’re given to watch, see, hear and play in newspapers, magazines, TV, radio, movies, billboards and video games.

As a result, women are misrepresented and marginalized as op-ed writers, front-page news sources, lead anchors, and broadcast journalism commentators… that is, when they aren’t missing entirely (as decades of research document). Scripted entertainment isn’t much better. As filmmaker Nia Vardalos wrote at WIMN’s Voices, Hollywood studios ignore data that show that audiences actually do want to support films with strong female leads, calling the success of “Sex and the City” and “Mamma Mia” “a fluke.” When Nia tried to follow up her hit “My Big Fat Greek Wedding” with a new script, studio execs pressured her to change female leads to male characters—exactly the opposite of the kind of climate Rosario Dawson is rightly calling for.

Yesterday, I wrote that I’d be appearing on CBC News’s Connect with Mark Kelley to discuss the state of reality television on the 25th anniversary of MTV’s iconic The Real World. Today, I’m happy to share the interview with you. My discussion is part of the following six-minute video package, starting at 2:14:

Tonight in Washington, D.C.,

I’m holding my last official reading on the Reality Bites Back book tour. It is listed in the Washington Post’s “Going Out Guide Blog,” and their “Going Out Guide.” There’s also a brief interview with the Express.

Tonight, the final official book reading will be held at Busboys & Poets on 14th & V in Washington, DC from 6:30-8pm. RSVP on Facebook (though walk-ins are fine, too). If you’re in the area, I hope you’ll come out for a lively discussion about gender, race and class in entertainment media — and support a fantastic local independent DC bookstore and cafe.

This month has been incredible. Journalists from Newsweek, Macleans, Ms. magazine, AOL TV Squad, the St. Petersburg Times, the Denver Post, B*tch: Feminist Response to Pop Culture, The American Prospect, and many more have written about the book. That was never a given for a feminist, anti-racist analysis of corporate media which includes extensive critique of product placement, advertising, and media consolidation — not to mention a conclusion featuring strategies for making

change from more than a dozen media activists.

BAY AREA EVENT REMINDER from WIMN and the International Museum of Women:

Nov. 16: Whose Reality? Exposing Gender, Race and Commercial Biases in Reality TV

11/16/2010: 12pm – 1:30pm

A conversation with Jennifer Siebel Newsom, documentarian, actress and First Lady of San Francisco, and Jennifer L. Pozner, Executive Director of Women In Media & News, media critic, author, Reality Bites Back: The Troubling Truth about Guilty Pleasure TV, on November 16th.

Purchase tickets now>>

The International Museum of Women is thrilled to be hosting a noontime conversation between Jennifer Siebel Newsom, actress, filmmaker and First Lady of San Francisco, and Jennifer L. Pozner, media critic, author and Executive Director of Women in Media & News, on November 16th.

Just how real is reality television? With video clips of popular prime time TV shows and a trailer for the forthcoming film, Miss Representation, Newsom and Pozner will shed light on sexism and racism in entertainment media. Please join us for this important discussion about misrepresentations of women and people of color in reality TV, and ways you can demand media accountability.

Quick hit: I’m going to be on The Callie Crossley Show today, Monday Nov. 15, from 1:00 – 1:40 EST, talking about the issues raised in my book, Reality Bites Back.

Knowing Callie (which makes this interview a treat, as she’s smart, politically savvy and funny) we’ll likely focus in particular on gender and race in reality TV, and on the economic factors that drive production and are responsible for regressive representations within the genre. Here’s the description on the show’s WGBH page:

Truth may be stranger than fiction, but what if fiction is passing for the truth? From “America’s Next Top Model, to “Flavor of Love”, to “The Bachelor” (and MANY more)- what’s real with hyper-realism? We talk with journalist Jennifer L. Pozner at the top of the hour about her book, Reality Bites Back.

Tune in to The Callie Crossley Show, WGHB, at the top of the hour — and call in at 877-301-8970!

Quick reminder from the events calendar: if you’re at the National Women’s Studies Association conference, there are two chances to catch me and Reality Bites Back on Saturday, Nov. 13 in Denver, CO.

I’ll be talking shop, saying hi and signing books at a Seal Press-hosted wine and cheese reception for Reality Bites Back, from 5:10 – 6:10 in the Seal Press booth. Bring your questions, your feedback, your critiques, your love-hate relationship with your favorite guilty pleasure…whatever you’ve got, if you’re at NWSA, I want to hear it!

And earlier, at 9:25am, I will be moderating “Gender, Race, Sexuality, and Documentary Filmmaking,” a panel held in the Plaza Concourse Level / Plaza Court 8 AV. Participants and presentations include:

Documenting Ourselves: Creative Scholarship on the Margins
*Theresa Renee White (California State University, Northridge)

Iltezam and the Women’s Contingent in Budrus: Documentary Film as Feminist Intervention and Solidarity Praxis
*Jessica Devaney (Just Vision)

Of Rights and Representation: A Transnational Feminist Analysis of “Lakshmi and Me.”
*Swati Bandi (State University of New York, Buffalo)

Queering the Good Book: Analyzing Itineraries of Emotion in “For the Bible Tells Me So”
*Elizabeth A Gailey (The University of Tennessee)

As a long-time media critic, I can tell you that

this is not a sentence I’m accustomed to writing: Corporate media gave me a huge gift yesterday.

As I traveled to Denver (to moderate a panel and have a wine and cheese reception for my book at the Women’s Studies Association conference), Newsweek’s Jessica Bennett reviewed Reality Bites Back in a lively feature headlined, “Everything I Learned About Women I Learned From Reality TV.” Her subhead that says it all: “Which means I must think they’re all desperate, competitive, plastic-surgery-obsessed bimbos. The problem? Today’s reality entertainment is a lot more like fiction.”

I couldn’t be happier with Benett’s take on the book and the issue of representation of women in this genre throughout the last decade. She writes:

If your main source of knowledge about women came from reality TV, this is how you’d see the world: a place where your mom is a conniving, deceitful gold digger, your sisters and girlfriends vicious and catty. You would learn that “sisterhood” is a thing of the past, as Pozner puts it—and that girl friendships are not powerful but spiteful. And you’d understand that women were put on this earth to compete for male attention—when, of course, they’re not busy pulling each other’s hair out or lounging half naked in a hot tub.

On Tuesday, Jezebel posted (and Gawker cross-posted) an excerpt from the violence against women chapter of Reality Bites Back, focusing on “The Exquisite Sadism Of America’s Next Top Model.” By 9am today, the post had received more than 31,000 views, 315 comments,

and 414 “likes” on Facebook.

When Jezebel asked to excerpt that particular section, I had a feeling it might strike a chord. In all the press since the book launched on Nov. 1, no media outlets have picked up on my discussion of the way reality TV both normalizes and glamorizes violence against women. (A few have asked me about the many male participants in reality dating and lifestyle series who have had restraining orders, arrest histories and even jail sentences in their past for harassment, battery or sexual assault.) So I was glad to know that their readers would be able to sink their teeth into this analysis of the dangerous messages Tyra Banks sends on America’s Next Top Model, in the name of “empowering” girls.

This 800+ word excerpt is just a small taste of a 10,000+ word chapter, but I hope you’ll enjoy it. If “enjoy” is the right word for an essay about girls being instructed that, for

Today, at last, I present the thrilling conclusion to the Reality Rehab with Dr. Jenn web series, Webisode 7: The Gangsta Guy!

If you’ve been reading the blog recently (or media outlets from The Vancouver Sun to Jezebel to The Frisky), you know I launched a satirical book trailer and webisode series last week, Reality Rehab with Dr. Jenn, which spoofs — and then liberates — reality TV’s stock characters through media literacy therapy.

In the final webisode of the series, The Gangsta Guy (actor Brian Moreland)–one of seven Reality Rehab cast members–starts out embodying all the racial stereotypes about men of color in reality TV (“I’ll pimp out every ho in this room! Of course I’ve been arrested. I’m from the hood!”). Yet during the course of media literacy therapy, we learn that he is only pretending to be a “G” because, as an urban planner, if he wins MTV’s “From Gs to Gents” he and his architect wife will be able to use the prize money to build community centers for troubled youth.

Like The Gangsta Guy? Blog him, tweet him, post him to Tumblr, share him on your Facebook wall — let’s make him go viral!

If you’ve been reading the blog recently (or media outlets from The Vancouver Sun to The Frisky), you know I launched a satirical book trailer and webisode series this week, Reality Rehab with Dr. Jenn, which spoofs — and then liberates — reality TV’s stock characters through media literacy therapy.

Who’s the latest to check in for some Reality Rehab? Introducing Webisode 4: The Top Model. In this episode, The Top Model (Kendra Leigh Landon) explains just how seductive is when fashion and beauty advertisers build modeling shows around clear instructions about which makeup and clothes to wear in order to be beautiful, valuable, and successful. Through media literacy therapy, she learns how and why most women will never achieve advertisers’ definition of beauty–and how important it is to think for herself:

Like Reality Rehab’s Top Model? Blog her, tweet her, post her to Tumblr, share her on your Facebook wall — let’s make this Top Model go viral, so that all the girls who watch America’s Next Top Model can hear her speak.

What, you say you haven’t seen the previous webisodes? Well, then, as Veronica Arreola says, “you’re missing out on a world of funny.” Check out — and then share/tweet/blog about — the whole series: